Not another crew reheating last week's trend with your logo taped on. Strategy, production, and the consistency to actually win.
AI killed the logistics. The gear, the overhead, the eleven-hour render. Gone. What's left is the only part that was ever hard: knowing what to point the camera at, why anyone should care, and how to get it in front of enough of the right people that caring turns into views, follows, and customers. That's the whole job now.
A great shot does what a strategy deck never will. It sticks. People remember it, feel it, act on it.Momentous, since day one
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▶ PLAYLF 1:28:42No rotating cast of vendors. One crew runs strategy, direction, and production, the way an actual set runs, not a spreadsheet.
Before a single frame. We build the growth plan underneath the creative: what earns attention organically, where paid accelerates it, and the cadence that keeps the numbers moving instead of resetting every quarter.
The point of view, applied. Concepts, scripts, and shot lists, plus the calls on set that turn a good idea into a finished piece.
Cameras roll. Emmy-winning crew, lean by design. Craft was never about how much gear showed up.
Three rosters, one studio. Brands call for campaigns. Creators and public figures stay on retainer because their content never stops. Agencies and studios pull us in when the work actually has to get made.
adidas · Originals → TERREX → Federation▶ Watch the case study
adidas brought us in to launch Originals' Gazelle. The campaign landed hard enough that they called again, this time for the Free Hiker 2.0 under TERREX. Then again, for Federation, their pro soccer line.
Same studio, three different corners of the adidas portfolio, one client who stopped shopping around.
LEGO × Walmart · 90 Years of Play▶ Watch the case study
LEGO brought us in to produce a shoppable livestream with Walmart celebrating their 90th anniversary. It moved fast enough that LEGO asked for an encore, with the same results.
City of Las Vegas · How To Be 🌈 in Las Vegas▶ Watch the case study
The City of Las Vegas commissioned a three-part series honoring community icons on Lesbian Visibility Day, Transgender Day of Visibility and National Honor Our LGBT Elders Day. We led production, with Hogarth, Grey, Gramercy Park and Townhouse alongside.
Campy, bold, retro and unapologetically gaudy, shot in a rented Liberace mansion, at Drai's and from a convertible on the Strip. The City called it a success.
Hilton · Embassy Suites▶ See the stills
Hilton's brands each need their own look. For Tapestry Collection and Hilton Miami that meant film. For Embassy Suites it meant stills: rooftop lounges, pool decks, lobby bars and the guests who make a hotel feel worth booking.
Same client, two mediums, one crew that can cover both.
Not strategy that's never touched a real platform. Years spent cutting for the hook, the loop, the exact three seconds before a thumb keeps moving, in poker, wrestling, kids' content, late-night TV, and whatever's next. Every screenshot scattered around this text is a real post, a real audience, a real number.
Ad campaigns. Brand assets. Hotels and hospitality. Event coverage. Social content. Whatever needs to be a still instead of a scene. Thirty-four shots, real work, not stock.
“Create more, with less.”
Vegas kid, LA sharpened. Eight years as director of photography on the Emmy-winning Larry King Now, plus a Clio shortlist along the way. Worked with major brands and personalities across the industry, LEGO to Larry King himself. No patience for gear-as-procrastination. Craft is a point of view, not a lens kit.
Started behind a camera and never really left it, just widened the lens to the whole operation. Keeps strategy, production, and every client relationship moving on the same schedule, with the same crew, every time.
Emmy-winning director and producer with a decade of national and global campaigns behind him, Hilton, adidas, Triscuit, HelloFresh, SiriusXM, and counting. Runs a set like the deadline's already tomorrow, because on this crew it usually is.
Photographer first, marketer by necessity. Shot for Vice Media, Universal Music Group, the Las Vegas Aces, and Hennessy, and now turns that same eye on Momentous's own brand and every client that needs stills, not just motion.
We find your feeling, your channels, and the actual numbers we're chasing, views, follows, revenue, not just a look that tests well in a pitch.
Thirty days in, you see what always-on content actually looks like from this studio, not a deck about it.
Monthly retainer, one point of contact, one crew. Content that doesn't stop because a campaign ended.
Tell us what's not getting made yet. We'll tell you if it's a project or a retainer, and when we can start. No deck, no dog and pony. Just the plan.
Let's Cook